The exhibition is organized in three thematic sections that unite Mofokeng’s and Goldblatt’s works: Earthscapes, Edifices and Sociality.

Both men set out to picture everyday life and experience in South Africa during Apartheid and its aftermath. But where they are often positioned in contrast to one another, with Goldblatt understood as the insightful social documentarian and Mofokeng as the visionary poet, this exhibition aims to question such a separation and to allow the images to traverse preconceived labels and patterns of perception. By combining their works in novel ways the exhibition seeks to draw out the distinctiveness of each while questioning the binaries through which they are customarily viewed.

For further information at The Walther Collection website.